I've mentioned before that themed calls for submission—announced by literary
journals, mainstream websites or magazines, or anthologies—are an excellent way
to spur writing and create outside deadlines. For any writer struggling with maintaining
a disciplined writing practice, or those overwhelmed by too many writing ideas,
or dismayed by not having enough ideas, submission calls can help define
writing time and energies.
Peruse
the calls at various sites and listservs (some links
here), pick one or two that appeal, and…you're off. Writing a piece that
addresses the theme, adheres to the required word count, fits the style or tone
of the venue, and meets any other criteria noted, are powerful ways of
developing writing chops. And of course, meeting the deadline is paramount,
especially for those who start but don’t finish writing projects, or just have
trouble with deadlines.
The
unspoken rule is that you must, of course, have something to say on the topic
of the submission call. Such was the case
last fall when I noticed a planned anthology on writing about animals. In my 20s and early 30s, I made a living writing about horses. In the last few years, I've been itching to write about horses again, but it's been two decades since I've been around horses on a daily basis, so I've been finding new ways of integrating horses into my writing life, resulting in many personal essays. And here was a chance to combine horses and writing into an essay about, well, horses and writing!
Off went
my piece to the anthology, a combination personal essay and advice on one aspect of writing about horses. And a
few weeks later, back came the rejection. That's okay, it's part of the writing
life. First,
you wallow. For minutes, hours, days—depends on your personal rejection wallowing
style. Then, you decide: Scrap it? Make a few tweaks and send it right back out?
Revise, rethink, rewrite?
I
rarely scrap something, though I may let it sit for weeks or months (or longer)
before I gin up the interest or energy to revise, or have the time to do so
properly. That's okay, too.
With
my writing-about-horses piece, I believed
it had merit as it was, so I made only a few minor tweaks. The next question
was where to send it. "Advice for those writing about animals" is not
that common a themed submission call! So I turned to venues that publish all
kinds of essays about writing craft and the writing life; in fact, I've begun
to maintain a list of such outlets because I want to write and submit more
pieces on writing craft.
Then,
as often happens, serendipity intervened in the form of an announcement that
the literary journal Hunger Mountain (published
by the Vermont Center for Fine Arts, which runs a fine MFA program), was
seeking new work for its writing craft website series.
And
off went my piece again.
Hunger Mountain published it
two weeks ago in Ephemeral Artery, the
Hunger Mountain Online Companion. Here's an excerpt:
"… On the “A” level horse show circuit where, even in the 1980s,
top jumpers were bought and sold for the high six figures, one of the most
reassuring relationships I witnessed was between these high-priced performers
and their minimum-wage earning grooms…. A fiery
Thoroughbred ex-racehorse could be snorting, galloping might in the ring, but
transform, once handed by the professional rider to his groom, into a cuddly,
frolicking pony….My advice to those who want to write about modern horses at
work or play in America: find them with their caretakers. The ones who love
them whether they’ve had the fastest jump-off round that day, or if they
spooked at the stray plastic bag at the side of the ring, tossing a rider on
his duff. That is when you will see the real horse, the one who knows he’s safe
and seems to understand when nothing is expected of her except that she exist…"
You
can read all of "When
Prose Turns to Horses, Remember the Humans," here. And, for more on the
horse-writing connection, see Annie Penfield's essay in the same section, "On Rhythm—In Sentences."
Let
me know of your experiences with writing to themed calls for submission. Or
writing about animals, or horses, or whatever's going on in your writing life
now!
Image (top): Flickr/CreativeCommons-S.Carter
2 comments:
Hi Lisa! How could I have missed that you're a horsewoman?
I love this piece of advice to show the horse's character by watching it when it feels secure.
I've owned an Irish hunter for 22 years and seen how he changes with different human influences. I could go on all day about that, but in writing terms it's a brilliant example of how characters change according to how secure they feel.
I come across the horses/writing connection constantly. I was teaching a masterclass at The Guardian newspaper and a student said, quite unexpectedly, 'I think of my characters as though they were horses'. Eureka, I thought! Actually, first of all I thought I'd misheard, or was asleep and waiting for the alarm to go off. But she elaborated, which led to an interesting conversation about fundamentals of animal behaviour - comfort, threat and trust. Wonderful triggers for thinking about our characters as complex beings.
Have you ever written a horse book? I have to confess I have. I put my long years of trying to understand my bold, scaredycat equine into my second novel, Lifeform Three. In doing so, I also had to assess how I'd handled those challenges - an interesting project of self-reflection as well as fictioneering.
I'm off to share this post!
Best
Roz x
I love that advice to use the themed submission calls as prompts. I do find I write best for an assignment, even a self-imposed one like this.
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