Showing posts with label book marketing. Show all posts
Showing posts with label book marketing. Show all posts

Tuesday, April 7, 2020

Guest Blogger Michelle Cameron on: Launching a Book in the Time of COVID-19: A Personal View

 A little more than seven years ago, I began teaching with The Writers Circle, a regional New Jersey writing community, in large part because of Michelle Cameron, an historical fiction novelist and poet. Since then, we’ve become colleagues in so many ways, and friends.

Please welcome Michelle Cameron, whose newest novel launches today.

I’ve been here before. Sort of.

My first novel, The Fruit of Her Hands, was published by Simon & Schuster’s Pocket Books, during the recession of 2009. My beloved editor was let go three days before my launch, meaning I was then – using the term for authors who experience this phenomenon all too often – orphaned.

No editor means no advocate in the publishing house, so while I had the foresight to hire a publicist who knew the Jewish reading market (my novel was a Jewish historical) and who scheduled many events locally and further afield, I was largely on my own.

The book – a $25 hardcover – was a tough sell. People were hesitant to spend any extra money in a recession, and even those who showed up to events and seemed like the ideal appreciative audience, told me they’d wait for the paperback. But the publisher decided my numbers weren’t strong enough for a paperback.

Fast forward eleven years.

In that time, I’d written three novels. The first, based on the Babylonian Exile, was completed during the long wait for Fruit to be published. I loved the book; I still love the book. My agent did not. After a lukewarm attempt to place it, it went back in my drawer. The second, based on Jewish emancipation during the French Revolution, never really gelled. When I finally, reluctantly, realized the story wasn’t strong enough, I put it aside.

The third novel launches today.                           
                                                          
Beyond the Ghetto Gates, a historical novel set during Napoleon’s first Italian campaign when he liberated the Jews from their restrictive ghettos, had a long slog to publication – an initially enthusiastic agent who tried hard, some nice rejections from publishing houses looking exclusively for the now-pervasive WWII novel. (The trend was for “contemporary historicals,” a phrase that still makes me shake my head in disbelief.)

Finally, I approached the hybrid publisher She Writes Press. And I loved what they did with the book – the beautiful cover, the care and attention to production values. After years of writing, revising, and trying to get published, I wanted to give the novel the best possible chance to find its audience.

From the start, my promotional strategy was to secure synagogue events close to my New Jersey home – hoping that by the time I reached the Jewish Book Council’s presentation to Jewish organizations nationwide, there’d be enough buzz that I’d be one of the lucky authors to be invited to present my novel further afield. (JBC covers airfare and lodging for those authors.)  I hired two publicists – one who worked the media side and a second who by February was doing a brilliant job, booking me for more than two dozen events during April, May, and June.

I was set. I was excited.

Then, COVID-19 struck. And everything unraveled.

Now, I know my problem is tiny in the face of this deadly pandemic. I’m home and my family is healthy. I can continue to teach and work virtually. There’s enough stored food in the house for weeks. I can walk outside without undue fear. I have so much to be thankful for.

Still – this stinks. I’ve postponed or canceled most events. Some may be rescheduled when things return to normal. But I’m not naïve – I know some simply won’t. People move on. Newer books always seem shinier, more appealing.

And I realize this is what publishers have always worried about – sudden catastrophes no one can anticipate or prevent that steal the spotlight from new books. Julia Alvarez’s first novel in 14 years, Afterlife, is pubbing today too. Just imagine how the folks at her publishers, Algonquin, must feel!

But here’s where my bleak story turns positive. Through the generosity of fellow authors and organizations, I’ve pivoted energetically toward social media, accepting offers of video placement, podcasts, blog posts, interviews and live book events on Zoom.

I was featured in a recent virtual reading presented by Murphy Writing of Stockton University and my first chapter will soon be read aloud online (see link below). My publisher is dramatically boosting one book a day for all April releases – my day is April 8. 


The friends I’d tapped for my Street Team are making tremendous efforts on my behalf – re-posting my teaser passages and blurbs, talking up the novel. I’m grateful to them all.

Of course, the essential question remains: will all this virtual activity turn into book sales? For now, I’ve decided only that it certainly can’t hurt. Maybe I’ll reach readers that I never would have before. I truly hope my novel can provide a much-needed escape from this nightmare we’re all living – that my words can touch someone who would never have heard of the book otherwise. May it indeed be so.


Note from Lisa: Connect with Michelle on Facebook, Twitter, and Instagram, and at her website.

You can catch part of Michelle’s Social Media Tour at the following. (More being added daily. See the Events page on her website.)

April 7 – Readers Coffeehouse
April 8 – She Writes Press KEEP CALM AND READ ON Spring Virtual Book Tour with Girly Book Club
April 15, 7:00 pm (Eastern) – She Writes authors Eileen Sanchez and Michelle Cameron in conversation about Beyond the Ghetto Gates via Zoom; click here to register  
April 26 – First Chapter Fun on Hannah Mary McKinnon’s website and on her Instagram Live


Wednesday, May 1, 2019

One Year Book Anniversary: Traditional Gift is Paper, the Modern Gift is a Clock. Both make sense to me!

Today is my book’s first birthday, or perhaps the right term is first anniversary. STARTING WITH GOODBYE was published a year ago by University of Nevada Press. I’m so grateful to everyone who supported the book and me through a busy year.

Yesterday I had lunch with a lovely student-turned-client who is working hard to make her first book manuscript shine as brightly as possible. She asked the question I don't always know how to answer: So, what has it really been like? 

I tried to explain. These past twelve months -- during which I spent a lot of time promoting, marketing, publicizing, interviewing, and making appearances on behalf of the book, the book, the book -- well, they weren't always what I thought they'd be. Sometimes events turned out so much better than I could have hoped; people and organizations surprised me with their welcoming warmth, tangible support, and wonderful moments. Other times, well, let's just say, things played out differently. (As they do in life, not just in publishing!)

What I wanted this other writer to know is that it was a year full of extremes: excitement, exhaustion, exhilaration, eye-openers, errors, and enriching experiences. Alternately fun and frustrating, busy and not, a year of learning what to focus on and what to let go.

I learned not to watch sales numbers (so much else is crazy-making about the book journey, why find another way to worry?), not to compare my book's trajectory with any other authors', and not to assume that everything promised will actually come to pass. 

I've learned that the very best moments are not about crowds or high number of likes/shares/followers or what BookScan has to say. No, the best moments are when I am talking to a reader, one reader, who has something to tell me, some story that floats in the air between us, something that my book, my words, have invited her to share. I always want to listen. 

As a nonfiction writer who mines my own life for story fodder, I can’t think of any better response to what I've written than someone who wants to tell me their story too. It's my belief, or at least my experience, that memoir authors write the things we do, about universal experiences we all have in common, because that is how we find it easiest to connect to other human beings.

When I think about how lucky it is that my book has created these connections, I'm still a little bit stunned. There were times when I asked myself (and frankly some people asked me directly!), how readers would react to a memoir like mine. STARTING WITH GOODBYE, after all, is about the unpredictability of grief as it snaked through my life in the three years following my father’s death.

There were times I worried that readers would not want to engage with this kind of tough stuff, with a book that might seem as if it's all about sadness. I had to trust that readers would give it a chance and along the way find that it’s not all sad, that even a story that pivots on grief can also be about funny, odd, and surprising events, about wacky relatives, about the weird things people say and do around grief that make us laugh when we shouldn’t but really need to (think Chuckles the Clown’s funeral episode on the old Mary Tyler Moore show). 

Not only are readers embracing all those parts of the book, but I've had remarkable conversations about how those moments are part of grief too, lighter moments that get us through. I've been encouraged and enlightened by readers who get my larger message: that, as much as we might want to deny it, grief has visited (or will come) to us all at some time, and that if we are curious about grief, embrace it and see what we can discover from the experience, the less scary and more unifying it can be.

When I talk with readers, everything else seems to fall away -- the stress of scheduling book events, the struggle to keep the book in the public eye, the subtle background pressure to keep priming the publicity pump. 

What remains is why we write in the first place, why I write. I write because I love to read and the page is the place where I find the stories that help me understand myself and others. Sometimes I read the stories others write, sometimes I write those stories myself.

I wasn't able to articulate all of this to my client at lunch, but perhaps I didn't have to. If she's lucky and continues to work hard and takes some risks, she will have her own manuscript-to-published-book path to follow one day. I hope it is for her just as exciting, exhausting, exhilarating, eye-opening, and enriching. 


Friday, December 2, 2016

Friday Fridge Clean-Out: Links for Writers -- December 2, 2016 Edition

Looks like there are a bunch of new subscribers: Welcome! If you don't already know, Friday Fridge Clean-Out is me clearing out links I've gathered in the past week (or more)...much like how I sometimes feed my family on a Friday night, pulling leftovers out of the fridge. Enjoy!

> Jane Friedman with good (and in many cases, overlooked) advice about "How to Smartly Evaluate a Small Publisher." Just because a press is traditional (and not a self publisher), doesn't always translate to a desirable partner.

> Check out Christelle Lujan's "20 Apps for Writers Who Want to Get Serious" at SheWrites. I definitely need a few of these!

>Is an official book launch worth the effort? Dorit Sasson weighs in with some recent experience.

> At WOW! Women on Writing, Chelsey Clammer encourages submission, and offers her 1,278 rejections since 2011 as proof that the prize (in her case, 150+ publications!) goes to those who stay in the game.

> If you like Pinterest: a whole bunch of nifty lists and cheat sheets here with writing, revision, and editing advice.

> Short stories printed on wine bottle labels! What's not to like? (Okay, they're in Italian...)

> Finally: breathe. Or at least have a laugh with Daveena Tauber's "Post Election College Paper Grading Rubric" at McSweeney's.

Have a great weekend!



Friday, June 17, 2016

Friday Fridge Clean-Out: Links for Writers -- June 17, 2016 Edition

> Joshua Becker, at the Minimalist advises, "Accomplish More with a 3-item To Do List." My comment at that post: I have been doing this for years. Didn’t know it was a real thing. I just call it my 1-2-3 Rule. Long to do lists are overwhelming. But who can’t do 3 things?  (And there -- you've just gotten one of my *secret* coaching tips.)

> Read and weep (a little - in the spirit of what my father sometimes said: Beware what you wish for - you might just get it.) "Lisa33 and Me -- The Harrowing True Story of a Six-Figure Advance," at Rottingpost.

> One of my bigger editing pet peeves: dialogue tags other than said or asked.  (Okay, very occasionally I can see the need for something like whispered which usually can't be communicated via the dialogue itself. Then again, I'd probably opt for action, if appropriate, like...he leaned close to her ear and...). My writer pal Linda Sienkiewicz weighs in with "Nancy Pontificated."

> The Wall Street Journal reports that HarperCollins launched a Facebook Live initiative, featuring live video with authors interacting with readers on HC's FB page daily (and also on the individual authors' FB pages).

> At Book Riot, Kelly Jensen with "33 Ways to Have a More Bookish Summer." Why not? (hat tip Buddhapuss Ink)


>Love food and literature, and are local to New York's Hudson Valley? Check out Read and Feed on July 30. Details: "Basilica Hudson, in partnership with CLMP, the Community of Literary Magazines and Presses, announce READ & FEED, the launching of a projected annual event bringing together artisanal makers of food with artisanal makers of literature." Tickets here.

> At Writer Unboxed, Donald Maass asks (and does a pretty good job of answering) 

"What Makes Fiction Literary: Scenes Versus Postcards." Be sure to check out the many good comments too.

> Finally, if you have not done so yet, do read Maggie Smith's excellent poem "Good Bones" at Waxwing Magazine. It's rare for a contemporary poem to "go viral" but apparently that's what has happened this week. Read it and, if you're paying even sideways attention to U.S. and world news lately and are weary and disheartened, you'll know why it's struck such a universal chord.


Have a great weekend!



Friday, May 27, 2016

Friday Fridge Clean-Out: Links for Writers -- May 27, 2016 Edition

A big bunch of links to last you through the long weekend. Enjoy!

> Richard Russo and Jenny Boylan team up in a Studio 360 podcast, on "Plot Twists in Books--and Life," and I can't think of a better writer-friend combo to tackle this topic.

> From the front lines (or front office, anyway) of the O.Henry Prize Stories, Kelly Luce reports, in Electric Literature, on "12 Things I Noticed While Reading Every Short Story Published in 2014-15 (or, Extremely Long Titles That Are Complete Sentences Are Still Very Much a Thing)" 


> Authors, need help coordinating book promo events? Check out Have Book Will Travel, which is "connecting authors with reading series and venues."

> On Saturday and Sunday, May 28 and 29, you can listen in on, and ask questions, during a select few live sessions at the Creative Nonfiction Magazine Writers Conference including "Write This Way: How to Find and Develop a Niche in Your Writing" moderated by Keysha Whitaker, with Shannon Reed, Jason Bittel, and Christina Marusic; and "Ask an Editor Panel," moderated by Ellen Ayoob, with Hattie Fletcher, Geeta Kothari, and Jessica Bylander.

> The new app Litsy aims to be a place to "share and discover your favorite books with your favorite people." At Book Riot, Brenna Clarke Gray characterizes it "as if Instagram and Goodreads had a beautiful, perfect baby."


> Looking for more places to find good links for writers? Try this "Afterthoughts" newsletter from Chantel Hamilton.


> New Pages is now doing Lit Mag Reviews. (Correction: STILL doing reviews! Don't know why I thought they were a new feature at the New Pages site. I stand corrected. Still excited to know of this resource.)

> In Britain at least, The Guardian reports that paper books are outselling ebooks.

> At the Los Angeles Review, Corey Ginsberg weighs in with some rules about rejection for writers--and for editors, too.

> Finally, earlier this week, I had a horrible, no-good, very bad Monday of rejections--four in my inbox before lunch! The next morning I found Kathleen Siddell's great funny/not-funny piece, "How to Face an Inbox of Rejection" on the Brevity blog. Bravo.


Have a great weekend!




Image: Flickr/CreativeCommons - Billie Grace Ward / wwward0

Wednesday, August 12, 2015

Publishing Industry Interview with Adam Boretz – BookLife & PW Select Editor

Back in April, at the conference of the American Society of Journalists and Authors (ASJA), I fell into conversation with Bryan Kinney, a representative of BookLife, which is a still-newish enterprise of Publishers Weekly. The intent, as he explained it, was to make it easier, seamless, and more open for "indie authors" to submit books for possible review. Since then, I asked a bunch of nosy questions of Adam Boretz, who closely oversees BookLife, and provided me with the following answers.

Q:  For BookLife, how do you define "indie authors"? Different from self-published? Inclusive of self-pub but also comprised of traditionally published by small presses?  Hybrid presses?

A: Indie authors are self-published authors. But as the industry changes, I think definitions begin to change and there is a blurry line between a very small press and an indie author. And then there are hybrid authors and hybrid presses. Rather than get tied to a single definition, we try to embrace the self-publishing/indie community in all its stripes and colors.  

Q: What makes BookLife different from other venues where self-published authors can pay for reviews and/or submit books at no charge for possible review?

A: BookLife is about a lot more than reviews. And while users can submit their self-published books for free Publishers Weekly review consideration, they can also find a lot of great content at BookLife that will guide them through the self-publishing process – from editing and book design to distribution and marketing. Plus, writers can get in touch with industry professionals on our Services Directory, sign up for PW Select, our marketing program for indie authors, post excerpts from your book, and a whole lot more.

Q: It looks like you have a deep well of resources to point authors to if they are looking for additional ways to develop their platform and/or market their books. Are any of those services owned and/or run by Publishers Weekly and/or its parent company, PWxyzLLC? Does PW earn income from those links, or from any business conducted through them?

A: BookLife is PW’s – and therefore PWxyz’s – website dedicated to indie authors. So the entire is site is run by PW and much of the editorial content you mention can also be found on publishersweekly.com. None of the how-to stories or features or editorial content is an income generator for PW or BookLife. And, of course, neither are reviews – which PW has never sold.

The only thing PW offers for a fee is its marketing program for self-published books, PW Select, which provides authors with an announcement listing for their titles online and in the print edition of PW. Additionally, there are some partnerships that offer authors paid services – such as showcasing self-published books at trade shows. However anything that constitutes a paid service is clearly marked as such – and the vast majority of services and content on BookLife are free.

Q: How long (word length) are BookLife reviews? Or does it vary by category?

A: All reviews on BoookLife are PW reviews. BookLife is just the conduit by which authors can submit self-published titles for PW review consideration. After submission, the review process at PW is the same for any book – as is the length of the review, which is about 150 to 200 words.

Q: Who is doing the reviewing? Regular PW reviewers? New staff / freelancers? For readers of this blog who are also book reviewers, is there a process by which to apply? Are reviewers paid?

A: The same people reviewing the newest traditionally published books for PW are reviewing self-published books for PW. PW reviews are never bylined and are written by professional book reviewers, many of whom have been writing for the magazine for years.

Q:  Do authors have a say in whether or not the reviews are put up on the site? (As pay-for-reviews sites often offer.) If not, how exactly does it work? Once the book is submitted, it's all up to BookLife editors?

A: Once a book is submitted, it is treated just like any traditionally published book. So, if a book is selected for review it will published on PW and BookLife regardless of how an author feels about his or her review. We really wanted to the process to be the same for all books – traditionally published or self-published – and the only real difference is the entry point for submitting titles.

Q: I tried some of the "Buy" buttons, and they went to Amazon. Does PW earn an affiliate commission from those sales?

A: We do not earn affiliate commission on the buy buttons on BookLife. BookLife users determine what URL their buy buttons point to; they do not default to Amazon. 

Q: Clicking on a book cover brings you not only to the BookLife review, but to a page with links to other reviews/coverage for that book, the author's website, etc. It seems like a hub authors can use as a gateway to a fuller interaction for the reader. Do authors pay for that page?  Or is that offered at no charge to authors whose books are chosen for review?

A: That is free – any and all authors can create a profile on BookLife for free and create what we call “project pages” for all their books. The idea being that an author’s BookLife page can be used as a tool for self-publishers to showcase their work, connect with other indie authors, interface with social medial, and grow their readership.

Q:  If an author submits a book, and BookLife chooses not to review it, are they notified?  How long does it take to hear back?

A: Throughout the review process – from submission to the final outcome – authors are emailed with status updates. So you are notified when we receive your book, you are notified if it is still being considered, if it is accepted, and so on. We wanted this process to be as clear as possible and make an effort to keep authors updated on the status of their submissions.

Q: Is there a particular kind of book or author that you think is best suited for BookLife?

A: We really feel that any and all indie authors writing all types of books can get a lot out of BookLife. The site’s editorial content is useful for authors writing, publishing, and marketing novels, memoirs, kids’ books, comics, and everything in between. And, any type of book can be submitted for free review consideration.

Q:  Can you point to any particular book/author now on BookLife, that is a good example of how a BookLife review/experience can benefit the author's book?

A: Sure. We here from authors all the time about how BookLife has helped their careers. One particular author that comes to mind is Keith Wayne McCoy, the authorof The Travelers. He emailed us shortly after his review ran to let us know that an agent called him asking for information about film rights for the book after reading the review. This is why we do BookLife.


Images: Megaphone -- Flickr/Creative Commons, Paul Brigham; Book pile -- Flickr/Creative Commons, 72006245@N05. Others courtesy BookLife.

Friday, June 26, 2015

Friday Fridge Clean-Out: Links for Writers -- June 26, 2015 Edition

> Eleven video recordings are now available online (at no charge), of panels and presentations from the Fourth Annual River Teeth Nonfiction Conference held in May.

> As the resident writer in the family, do you "ghostwrite" relatives' and friends' remarks (eulogies, toasts, etc.)? Hey, there's a business plan for that.

> Have you seen Manuscript Wish List yet? It's where some agents tell us what queries would make them happy, from the expected ("more upmarket fiction") to the highly specific, ("a nonfiction book proposal on women in the circus.")

> Susan Shapiro's article, "9 Ways to a Faster Book Deal," is packed with useful information. (The way I read it, "faster" here doesn't only mean speedier, but a smarter, more strategic, more likely to succeed path to publication; but maybe that's just me.)

> I've been doing a lot of flash (micro, short, brief) writing assignments with my students -- and on my own. Paragraph Planet limits writers to 75 words.

> One author's game plan for a sell-out hometown book signing event. (Probably most relevant if you're writing on regional topics, but many useful general tips too.)

> This list of advice for memoir writing has a lot of value. Especially # 13: "Time is your friend." Slowing down, so important.

> The other day, I posted about one aspect of my submission process. At SheWrites, Emily Lackey offers another system for a submission wish list.

> Do you write humor and want to (no kidding!) earn a paycheck for it? Here are eight markets.

> If you're traveling to Massachusetts this summer, here's a new bookstore you (or your innerWimpy Kid) might like.

> Finally, Shannon Reed's hilarious piece, "If Jane Austen Got Feedback From Some Guy in a Writing Workshop."  And Nathaniel Tower tells us "What Common Rejections from Publishers Really Mean" (and I sure hope he's wrong!).


Have a great weekend!


Image: Flickr/Creative Commons - Wonderlane

Monday, April 20, 2015

Guest Blogger Linda K Sienkiewicz on Lessons from AWP on Book Promotion for Anxious Authors

If you've been here before, you might remember that Linda K. Sienkiewicz and I were classmates in the Stonecoast MFA program. We've kept in touch, cheering one another on in our divergent writing endeavors. When I asked for blog posts front the front lines of the AWP Conference, Linda volunteered immediately.

Linda writes and publishes fiction and poetry (several award-winning chapbooks), and has been nominated for a Pushcart Prize. She attributes her creative drive to her artistic mother, who taught her to sew, and her father, who let her monkey around with the gadgets in his workshop. Linda's first novel, In the Context of Love, will be released by Buddhapuss Ink LLC in September.

Please welcome Linda K. Sienkiewicz.
 
Author Josh Isard got a good laugh at AWP when he described the conference attendees as “a whole bunch of people collectively experiencing social anxiety.” We writers are introverts who sometimes have to be dragged out of the house to socialize. Selling our own books and ourselves as writers is something we find difficult. So what is an author to do? Finding the answer was my goal at AWP this year, because I'll need to help publicize my debut novel, In the Context of Love, when it's published in September.

Publicize or Perish

I learned several pointers from Michelle Blankenship, who’s an independent publicist. After being an in-house publicist for 16 years she can now focus on a smaller number of books a year. While there are many book PR strategies available, Michelle stressed it’s important to be realistic. There is always a chance you won’t get any media coverage no matter you do, no matter who you hire, what the publicist does. Publishing a book can be a lesson in humility. If you’re self-published, your chances of media coverage are even lower, so rather than hire a publicist, she suggested hiring a marketer. What’s the difference? Publicity can’t be bought. Marketing includes buying ads and other paid promotional endeavors that target your market.

Here’s what Michelle shared:

1.    Plan early. Ten to 12 months before your publication date is ideal, six is the minimum.
2.    Make a list of all your connections, media-wise, who can help get you coverage.
3.    Ask your publisher how many galleys you will have and how many ARCs (advanced reading copies) you will get. An an author, you can also pay for additional galleys or ARCs to send out for reviews.
4.    Think about writing essays or op-ed pieces on the subject matter of your book, your inspiration, or other related topics.
5.    Write a self Q and A. Envision your dream interview. What five questions would you like to be asked?  (This can be used in an online media kit, for book clubs, book blogs, etc.)
6.    What have you written about in your book that you can speak expertly about? Watch and read the news and pay attention to popular culture for opportunities to promote yourself as an expert.
7.    Think about the back story to the writing of your book. Did you come to the topic in some unusual way? What sets you apart from other authors who have books coming out?
8.    Is your book coming out on or near any particular anniversary, holiday, or other event that you can use to your advantage? Consider even obscure events.

All of the above can and should be shared with your publicist. Michelle said you may spend more money on publicity than your book earns, but everything you throw into the water creates ripples, and that may help sell your second book. Schedule as many places as you can go for readings or speaking engagements.

Oh Bookseller, My Bookseller

A panel of booksellers from Minneapolis discussed how to partner with independent bookstores. Book selling is alive and well, but each store may have a different audience, so they stressed doing your homework to be sure your book would attract a particular store's customers. You can find lists of booksellers in any region via the American Booksellers Association, and Book Life on Publishers Weekly.

Booksellers love hosting author events, but they are busy people and dont necessarily appreciate an author walking into their store only to shove a book under their noses, so send an email first. Think of yourself as a marketer. Send information about your book, the story behind it, who you are, who your audience is, and how you plan to market the event. Be sure you include the ISBN. Then follow up with a phone call. Remember to contact bookstores before your book is on shelves; six weeks after publication may be too late. Booksellers want you in the store before too many people have already read the book.

What makes a good bookstore event? Entertainment and energy, and think beyond a typical reading or signing. Be creative. After all, we’re creative creatures, right?.

Beyond the Bookstore

A panel on Small Press Marketing suggested making a list of contests where you can submit your published book. Make videos. Do Goodreads giveaways. One author on the panel referenced a lot of music in her story, so she made a playlist on Spotify. Including a gift or token with the book you send reviewers can help get attention, as long as you don’t go overboard. One author had her book cover printed on a matchbook box, and filled the box with sticky notes. Another sent a candy necklace because there was such a necklace in the story. Book clubs are a great way to get the word out about your book. You local bookseller or library may have a list of nearby clubs. Let the clubs know you will speak for free about your novel or memoir if they choose it for their club read.

Even with the most creative marketing and publicity plan, you will still have to deal with your social anxiety. Sure, you’d much rather work on your writing, rather than dressing up to face an audience. Prepare yourself to talk confidently about your book. Practice your pitch. There’s nothing wrong in saying “I think you’d really like it.”

When you look out at a crowd of people, remind yourself that, to the public, anyone who managed to write a book and get it published is fascinating. They want to know how you did it, how you write, when you write, and what you do when you get writer’s block.

And never discount a publicity or marketing event that isn’t well attended. If three people show up, get out from behind the lectern and sit down with them for a chat. Tell your story. They’ll love it, they’ll buy your book, and hopefully tell their friends what a great person you are, and they’ll buy your book, too.

Note from Lisa: For more from Linda on the topic, read her previous post on "Shameless Self Promotion." You can connect with Linda at her website, on Twitter, and at  Pinterest.

Friday, May 9, 2014

Friday Fridge Clean-Out: Links for Writers -- May 9, 2014 Edition


For your weekend reading, skimming, rooting, bookmarking pleasure...

> ASJA (the American Society of  Journalists and Authors) has made two audio recordings from panels at their very recent annual conference available at no charge to the public - one on copyright, the other on writing about trauma survivors. Check it out.

> Soon-to-be debut novelist Beth Cato weighs in on what she did when she know in her gut that a crucial piece of feedback, from a well-qualified source, was all wrong for her story.

> Over at Wordserve Water Cooler, Lucille Zimmerman sums up the five marketing surprises -- pro and con -- she didn't learn until after her first book was published.


> Want to know how to get published on McSweeney's (like my writing friend Candy Schulman did today)? A McSweeney's editor has tips (and it's not, contrary to popular thinking, (only or at least all) about coolness and hipster cred).

> At SheWrites, learn how one writer created a life crammed with books and reading.

> Ever daydream about starting a very small press?  Spenser Madsen did and he's (bruised but) not sorry.

> Frustrated over how slowly your (here it comes, I'm going to use that dreaded word, get ready, and I apologize in advance) *platform* seems to be growing?  Alexandra Franzen has some incredibly good advice on adjusting our perspective.

> Finally, one of those very cool, ever so slightly awful Buzzfeed lists, this time "33 Amazingly Useful Websites You Never Knew Existed."  I saved you some scrolling time -- definitely useful, or at least, interesting to writers:  the Online Etymology Dictionary; Practical Typography (everything blessed thing you want to know); WriteWord's Word Frequency Counter (for when you suspect you overuse certain words; you're usually right, by the way); Mathway (it will solve anything; because we writers do words, not numbers); and PrintWay (for when you absolutely want to print it, but without all the ads and other website wonkiness).

Have a great weekend!

Friday, April 11, 2014

Friday Fridge Clean-Out: Links for Writers -- April 11, 2014 Edition

> The Oxford (serial) comma: fan or foe? Or, no idea what the fuss is about? Check out  this short TEDed video. 

> Planning a blog tour (virtual book tour) to help publicize your book?  Dana Sitar lists nine useful tips.

> When author Jill Smolowe needed to help market her new memoir, Four Funerals and a Wedding, she quickly realized social media was not her forte. In a post at SheWrites, Smolowe describes how hewing to the skills and connection style that feels comfortable is delivering results (and peace of mind).

> But if you are working the social media PR angle, then it's handy to understand how time-0f-day posting affects response and interaction. Social Media Today has the details.

> Leslie Jamison, author of a new essay collection, The Empathy Exams, shares thoughts about writing the personal essay, over at Publisher's Weekly.

> Looking to expand your literary reading? At the Ploughshares blog, Steph Auteri lists some favorite literary mags, lit blogs, lit sites, online lit resources.

> Not a new piece, and not a quick read, but Debra Gwartney's excellent  "
A Few Memoir Pitfalls, and some thoughts on how to avoid them," is well worth the time.

>Songwriters apparently sometimes suffer a form of writer's block too. Here's what Sting did and where he went to break out.

> Novelists grappling with timelines and time-related logistics in their unfolding plots, flashbacks, and backstory will appreciate Kathy Crowley's tips, insights, and systems.

> Finally, got a pet business-speak language peeve? Is it "reach out"? Then you might enjoy this, from ThinkMap.  And, what would a mash up of the Amtrak writers residency and an oddly named literary journal look like

Reminder:  If you're interested in *I Should Be Writing!* Boot Camp: Reclaim Your Writing Life, the final 2014 group class begins on Monday, 4/14.