Showing posts with label book promotion. Show all posts
Showing posts with label book promotion. Show all posts

Tuesday, April 7, 2020

Guest Blogger Michelle Cameron on: Launching a Book in the Time of COVID-19: A Personal View

 A little more than seven years ago, I began teaching with The Writers Circle, a regional New Jersey writing community, in large part because of Michelle Cameron, an historical fiction novelist and poet. Since then, we’ve become colleagues in so many ways, and friends.

Please welcome Michelle Cameron, whose newest novel launches today.

I’ve been here before. Sort of.

My first novel, The Fruit of Her Hands, was published by Simon & Schuster’s Pocket Books, during the recession of 2009. My beloved editor was let go three days before my launch, meaning I was then – using the term for authors who experience this phenomenon all too often – orphaned.

No editor means no advocate in the publishing house, so while I had the foresight to hire a publicist who knew the Jewish reading market (my novel was a Jewish historical) and who scheduled many events locally and further afield, I was largely on my own.

The book – a $25 hardcover – was a tough sell. People were hesitant to spend any extra money in a recession, and even those who showed up to events and seemed like the ideal appreciative audience, told me they’d wait for the paperback. But the publisher decided my numbers weren’t strong enough for a paperback.

Fast forward eleven years.

In that time, I’d written three novels. The first, based on the Babylonian Exile, was completed during the long wait for Fruit to be published. I loved the book; I still love the book. My agent did not. After a lukewarm attempt to place it, it went back in my drawer. The second, based on Jewish emancipation during the French Revolution, never really gelled. When I finally, reluctantly, realized the story wasn’t strong enough, I put it aside.

The third novel launches today.                           
                                                          
Beyond the Ghetto Gates, a historical novel set during Napoleon’s first Italian campaign when he liberated the Jews from their restrictive ghettos, had a long slog to publication – an initially enthusiastic agent who tried hard, some nice rejections from publishing houses looking exclusively for the now-pervasive WWII novel. (The trend was for “contemporary historicals,” a phrase that still makes me shake my head in disbelief.)

Finally, I approached the hybrid publisher She Writes Press. And I loved what they did with the book – the beautiful cover, the care and attention to production values. After years of writing, revising, and trying to get published, I wanted to give the novel the best possible chance to find its audience.

From the start, my promotional strategy was to secure synagogue events close to my New Jersey home – hoping that by the time I reached the Jewish Book Council’s presentation to Jewish organizations nationwide, there’d be enough buzz that I’d be one of the lucky authors to be invited to present my novel further afield. (JBC covers airfare and lodging for those authors.)  I hired two publicists – one who worked the media side and a second who by February was doing a brilliant job, booking me for more than two dozen events during April, May, and June.

I was set. I was excited.

Then, COVID-19 struck. And everything unraveled.

Now, I know my problem is tiny in the face of this deadly pandemic. I’m home and my family is healthy. I can continue to teach and work virtually. There’s enough stored food in the house for weeks. I can walk outside without undue fear. I have so much to be thankful for.

Still – this stinks. I’ve postponed or canceled most events. Some may be rescheduled when things return to normal. But I’m not naïve – I know some simply won’t. People move on. Newer books always seem shinier, more appealing.

And I realize this is what publishers have always worried about – sudden catastrophes no one can anticipate or prevent that steal the spotlight from new books. Julia Alvarez’s first novel in 14 years, Afterlife, is pubbing today too. Just imagine how the folks at her publishers, Algonquin, must feel!

But here’s where my bleak story turns positive. Through the generosity of fellow authors and organizations, I’ve pivoted energetically toward social media, accepting offers of video placement, podcasts, blog posts, interviews and live book events on Zoom.

I was featured in a recent virtual reading presented by Murphy Writing of Stockton University and my first chapter will soon be read aloud online (see link below). My publisher is dramatically boosting one book a day for all April releases – my day is April 8. 


The friends I’d tapped for my Street Team are making tremendous efforts on my behalf – re-posting my teaser passages and blurbs, talking up the novel. I’m grateful to them all.

Of course, the essential question remains: will all this virtual activity turn into book sales? For now, I’ve decided only that it certainly can’t hurt. Maybe I’ll reach readers that I never would have before. I truly hope my novel can provide a much-needed escape from this nightmare we’re all living – that my words can touch someone who would never have heard of the book otherwise. May it indeed be so.


Note from Lisa: Connect with Michelle on Facebook, Twitter, and Instagram, and at her website.

You can catch part of Michelle’s Social Media Tour at the following. (More being added daily. See the Events page on her website.)

April 7 – Readers Coffeehouse
April 8 – She Writes Press KEEP CALM AND READ ON Spring Virtual Book Tour with Girly Book Club
April 15, 7:00 pm (Eastern) – She Writes authors Eileen Sanchez and Michelle Cameron in conversation about Beyond the Ghetto Gates via Zoom; click here to register  
April 26 – First Chapter Fun on Hannah Mary McKinnon’s website and on her Instagram Live


Wednesday, May 1, 2019

One Year Book Anniversary: Traditional Gift is Paper, the Modern Gift is a Clock. Both make sense to me!

Today is my book’s first birthday, or perhaps the right term is first anniversary. STARTING WITH GOODBYE was published a year ago by University of Nevada Press. I’m so grateful to everyone who supported the book and me through a busy year.

Yesterday I had lunch with a lovely student-turned-client who is working hard to make her first book manuscript shine as brightly as possible. She asked the question I don't always know how to answer: So, what has it really been like? 

I tried to explain. These past twelve months -- during which I spent a lot of time promoting, marketing, publicizing, interviewing, and making appearances on behalf of the book, the book, the book -- well, they weren't always what I thought they'd be. Sometimes events turned out so much better than I could have hoped; people and organizations surprised me with their welcoming warmth, tangible support, and wonderful moments. Other times, well, let's just say, things played out differently. (As they do in life, not just in publishing!)

What I wanted this other writer to know is that it was a year full of extremes: excitement, exhaustion, exhilaration, eye-openers, errors, and enriching experiences. Alternately fun and frustrating, busy and not, a year of learning what to focus on and what to let go.

I learned not to watch sales numbers (so much else is crazy-making about the book journey, why find another way to worry?), not to compare my book's trajectory with any other authors', and not to assume that everything promised will actually come to pass. 

I've learned that the very best moments are not about crowds or high number of likes/shares/followers or what BookScan has to say. No, the best moments are when I am talking to a reader, one reader, who has something to tell me, some story that floats in the air between us, something that my book, my words, have invited her to share. I always want to listen. 

As a nonfiction writer who mines my own life for story fodder, I can’t think of any better response to what I've written than someone who wants to tell me their story too. It's my belief, or at least my experience, that memoir authors write the things we do, about universal experiences we all have in common, because that is how we find it easiest to connect to other human beings.

When I think about how lucky it is that my book has created these connections, I'm still a little bit stunned. There were times when I asked myself (and frankly some people asked me directly!), how readers would react to a memoir like mine. STARTING WITH GOODBYE, after all, is about the unpredictability of grief as it snaked through my life in the three years following my father’s death.

There were times I worried that readers would not want to engage with this kind of tough stuff, with a book that might seem as if it's all about sadness. I had to trust that readers would give it a chance and along the way find that it’s not all sad, that even a story that pivots on grief can also be about funny, odd, and surprising events, about wacky relatives, about the weird things people say and do around grief that make us laugh when we shouldn’t but really need to (think Chuckles the Clown’s funeral episode on the old Mary Tyler Moore show). 

Not only are readers embracing all those parts of the book, but I've had remarkable conversations about how those moments are part of grief too, lighter moments that get us through. I've been encouraged and enlightened by readers who get my larger message: that, as much as we might want to deny it, grief has visited (or will come) to us all at some time, and that if we are curious about grief, embrace it and see what we can discover from the experience, the less scary and more unifying it can be.

When I talk with readers, everything else seems to fall away -- the stress of scheduling book events, the struggle to keep the book in the public eye, the subtle background pressure to keep priming the publicity pump. 

What remains is why we write in the first place, why I write. I write because I love to read and the page is the place where I find the stories that help me understand myself and others. Sometimes I read the stories others write, sometimes I write those stories myself.

I wasn't able to articulate all of this to my client at lunch, but perhaps I didn't have to. If she's lucky and continues to work hard and takes some risks, she will have her own manuscript-to-published-book path to follow one day. I hope it is for her just as exciting, exhausting, exhilarating, eye-opening, and enriching. 


Thursday, October 11, 2018

The Intersection of Book PR and Writing Advice: A Round-Up

One task of a new author is to help generate positive online coverage/mentions of one's new book. Some are less within the author's control than others of course, and some are more fun than others.

Since spring (coinciding with the release of Starting with Goodbye from University of Nevada Press) I've been writing guest posts and answering interview questions from literary journals, bloggers, reporters and freelancers. Mostly, I've had a great time. I'm still having a good time.

While the goal is to keep the book in front of people's eyes, one of the more satisfying side benefits for me has been that many of the resulting pieces double as useful tips, advice, and information for other writers. 

The book launch, book tour, and general book promo craziness dominated my days for months, meaning I didn't have time to keep offering writing thoughts here at this blog, so whenever possible, I tried to tie in book publicity with literary citizenship. 

I've meant to share this sooner, but life piled on...Anyway, here's a round-up of some coverage from the last five months -- only the pieces that I think other writers might find useful. (If you want to see everything, check out the Media Mentions page.)

Guest posts and articles on writing issues:



How to Add Humor to a Sad Memoir  (at The Memoir Project/Marion Roach Smith)





My First (Disastrous) Writing Retreat  (at The Quivering Pen)



Interviews  (only those that cover writer advice, tips, insight, how-to's from my writing/publishing experience):

In Search of the Right Structure   (at Author Accelerator on Medium/Jennie Nash) 

Author's Notebook: Nine Tips on Writing Memoir (at The Whole Megillah)

Ruminations Interview (at Under the Sun, which published one of the original essays that became an important chapter in the book)

A Conversation with Lisa Romeo  (at Literary Mama)

An Interview (at Proximity's True blog)

Author Interview Q/A (at the blog of Caroline Leavitt)


Writers in the Trenches: Q/A on how everything before prepared me for the memoir  (at Fay Rapaport DesPres's blog)

A Conversation  (at the Sunlight Press)

Q/A  (at the blog of Christi Craig)

Podcasts (with in-depth dives into nonfiction writing craft):

The Creative Nonfiction podcast (w/Brendan O'Meara) - Episode # 98 - Lisa Romeo on the Power of Paper Habits

Write the Book podcast - # 508  (w/Kim MacQueen)

The Ish podcast (w/Cameron Dezen Hammon) - Episode # 8 - Grieving-ish Part II

And just for fun...

Spotlight (at Publishers Weekly)

How We Spend Our Days: Lisa Romeo  (at Catching Days blog)

Becoming a Published Memoirist at 58  (at Empowering Women in Midlife)

I hope some of these will prove useful for your own writing practice, writing life, writing challenges. As book mania settles down, I hope to be back here at the blog more regularly, with the spotlight once again trained on passing along good writing life advice and lessons learned from experience -- mine and others'. 



Thursday, June 14, 2018

What's Next: An Excerpt from Starting with Goodbye, a Jersey Shore Visit Tonight (6/14)

Today I'm celebrating a little, as the terrific website Next Avenue (a PBS venture), has published an excerpt from Starting with Goodbye: A Daughter's Memoir of Love after Loss. 

I don't know if I'm more thrilled about the excerpt or the photo of me and Dad, taken on the morning of my wedding. You can't quite see it, but he's joking around by handing me a wad of cash. How I miss that sense of humor!

The excerpt is from an early chapter in the book, and I'm so happy that Next Avenue -- whose tagline is where grown-ups keep growing --  wanted to share this with their readers in the days just before Father's Day, a time when memories of gone fathers might be both comforting as well as painful.  

                                                                          * * * 

Meanwhile, it's time for me to hit the road (again), heading down the shore to an event tonight at BookTowne in lovely Manasquan, NJ -- the place I was when I got the call about my father's stroke (that's in Chapter 2 of the book). There, I'll be in conversation with another NJ author I've recently come to know, Laurel Davis Huber. Her book, The Velveteen Daughter, is a work of historical fiction about the artist prodigy daughter of the women who penned The Velveteen Rabbit. I read it last weekend when I needed to relax not only from the busy book promo schedule but because my wonky knee insisted on it. I couldn't have asked for a more absorbing, unusual story to have for company.

Friday, March 2, 2018

Friday Fridge Clean-Out: Links for Writers -- March 2, 2018 Edition

> Publishers Weekly is reporting that Barnes & Noble is opening five new prototype stores over the next 14 months, each about half the size of their typical large format. Turns out the first will be in northern NJ -- my stomping grounds!

> Writers who have taken classes at Grub Street or attended Muse & the Marketplace in Boston, will be interested in this Boston Globe interview with founder Eve Bridburg.

> Another interview of interest, this one with Natalie Singer, about her brand new essay collection, California Calling: A Self-Interrogation (Hawthorne Books).

> I'm in the thick of planning bookstore events for my forthcoming memoir, and appreciated this straight-shooting advice from Volumes Bookcafe in Chicago.

> If you're struggling through a revision, these quotes from 15 poets on revision, might help (via The Millions).

> Lee Martin, with another excellent post on writing craft, this time, the power of a pause in a narrative (and, by extension, in life!).

Have a great weekend!


Friday, November 3, 2017

Friday Fridge Clean-Out: Links for Writers -- November 3, 2017 Edition

> Late the other night I found time to read this fabulous piece in the Sunday NY Times Magazine on extraordinary nonfiction writer John McPhee, and how he works. (The online version linked here includes drawings and diagrams of how he envisions, designs, and writes into the carefully crafted structures that hold up his books and articles.) 

> I often teach the list essay, and here, Jillian Schedneck has summed up a lot, in "How to Write a List Essay," and links (among other pieces) to her own list essay on Compose Journal (which I'm pleased to say I had a hand in selecting).

> Speaking of Compose, the Fall 2017 issue -- our tenth -- is now live, with fresh fiction, poetry, creative nonfiction, and features/craft pieces.

> If you're doing NaNoWriMo (or any self-adapted version of it), there are lots of  encouraging posts circulating, from the official  NaNoWriMo Pep Talks from household-name authors (first up is Roxane Gay), and elsewhere, short, helpful tips , writing apps tips, and round-ups of advice.

> Can swapping your cool smartphone for a less-capable model help your writing productivity? Amy Collini says yes, in "I Flipped,"' over at the Brevity blog.

> Fiction Writers Review features an interview with Claire Messud, about her newest novel, The Burning Girl.

> Finally, I've just started down the dark and alluring path of book PR (since the memoir is now listed on several online retailers), and well...one could so easily go overboard. So I found this funny/snarky piece, "How You Can Help Me Sell My Book," at McSweeneys' spot-on (and a little scary). Precious blog readers, if I get annoying in my book excitement, do tell me! 

> Oh, but first, did I mention my newsletter went out the other day, and if you scroll down, it features a promo for those who pre-order the book and send me.....ugh. See what I mean?

Have a great weekend!


Friday, June 30, 2017

Friday Fridge Clean-Out: Links for Writers -- June 30, 2017 Edition

> From Book Expo 2017, held in Manhattan last month, Shelf Awareness summed up key points of a panel for authors on Working with Indie Bookstores.

> Did you know that Tracy K. Smith is the new U.S. Poet Laureate?

> At her tumblr, Roxane Gay has some tips (25 in fact) on "How to be a Contemporary Writer."

> Meaty interview with Lidia Yuknavitch at The Millions (in conjunction with Bloom).

> What do MFA instructors read in downtime? My colleagues (and I) talked personal summer reading lists at the Bay Path MFA Director's Blog.

> Feeling proud of my former coaching client Emily Wanderer Cohen, whose new book 
From Generation to Generation: Healing Transgenerational Trauma Through Storytelling -- which focuses on the influence of her mother, a Holocaust survivor and educator -- has been doing exceedingly well in its first few days.

> Feel awkward doing self-promotion? It's not a rare disorder, as Sonya Huber explores at Proximity Magazine.

>I'm getting a bit more active over on Goodreads. If you'd like to connect, find me here. And on Instagram, I'm @LisaRomeoWriter


Have a great weekend!


Friday, December 2, 2016

Friday Fridge Clean-Out: Links for Writers -- December 2, 2016 Edition

Looks like there are a bunch of new subscribers: Welcome! If you don't already know, Friday Fridge Clean-Out is me clearing out links I've gathered in the past week (or more)...much like how I sometimes feed my family on a Friday night, pulling leftovers out of the fridge. Enjoy!

> Jane Friedman with good (and in many cases, overlooked) advice about "How to Smartly Evaluate a Small Publisher." Just because a press is traditional (and not a self publisher), doesn't always translate to a desirable partner.

> Check out Christelle Lujan's "20 Apps for Writers Who Want to Get Serious" at SheWrites. I definitely need a few of these!

>Is an official book launch worth the effort? Dorit Sasson weighs in with some recent experience.

> At WOW! Women on Writing, Chelsey Clammer encourages submission, and offers her 1,278 rejections since 2011 as proof that the prize (in her case, 150+ publications!) goes to those who stay in the game.

> If you like Pinterest: a whole bunch of nifty lists and cheat sheets here with writing, revision, and editing advice.

> Short stories printed on wine bottle labels! What's not to like? (Okay, they're in Italian...)

> Finally: breathe. Or at least have a laugh with Daveena Tauber's "Post Election College Paper Grading Rubric" at McSweeney's.

Have a great weekend!



Friday, July 1, 2016

Friday Fridge Clean-Out: Links for Writers -- July 1, 2016 Edition


> Lit Hub has two interesting posts this week for those who write and send out literary work. Before you get into action collecting No's, as suggested in Kim Liao's "Why You Should Aim for 100 Rejections in a Year," consider the tips Erika Dreifus shares in "13 Questions to Ask Before Submitting to a Literary Journal." 


>For those who publish regularly on more mainstream sites and are curious about the reach of your work (especially if your payment is partially determined by clicks), have you tried out Muck Rack, which claims to track all blogging and social media shares?

>I won't get to see Hamilton on Broadway until January 2017, but later this summer some teaching colleagues and I will be incorporating it in our Teen Creative Writing Intensive workshops, which makes the timing of Roy Peter Clark's article in Poynter this week, "Learn From the Word Craft of Hamilton and Make Your Stories Sing," just perfect.

>When a normally savvy, professional, and experienced author (both traditionally- and self-published) apparently gets ripped off by a book PR "firm," it illustrates how easy it is to lose money and waste time while seeming to be doing the right thing for a book launch. Linda Formichelli, of The Renegade Writer, bravely shares her cautionary tale. Later, Sandra Beckwith, of Build Book Buzz, posted about how others can avoid Linda's experience.

>Write a book (even a slim one) under contract in two weeks is a crazy idea, right? Right. Even Sonya Huber, who did it (The Evolution of Hillary Rodham Clinton - SquintBooks/Eyewear Publishing), will agree. But her generous post this week about exactly how she did it, isn't crazy at all.

>Brag Box: I'm so proud of my former coaching student Emily Klein for her essay, "Variations on a Theme: Sing it James
" now up at Entropy. It's always a little thrill for me to read the final, polished, published piece, having once seen it in its infancy. It's a lovely essay about what the music of James Taylor means to an ill baby--and aching mother.

>Finally, for typewriter lovers (I know there are still a bunch of us out there), check out Chryselle D'Silva Dias's City Lab article on the state of the typewriter industry in India (bonus: photo of cool typewriter sculpture).


Have a great weekend!


Monday, April 20, 2015

Guest Blogger Linda K Sienkiewicz on Lessons from AWP on Book Promotion for Anxious Authors

If you've been here before, you might remember that Linda K. Sienkiewicz and I were classmates in the Stonecoast MFA program. We've kept in touch, cheering one another on in our divergent writing endeavors. When I asked for blog posts front the front lines of the AWP Conference, Linda volunteered immediately.

Linda writes and publishes fiction and poetry (several award-winning chapbooks), and has been nominated for a Pushcart Prize. She attributes her creative drive to her artistic mother, who taught her to sew, and her father, who let her monkey around with the gadgets in his workshop. Linda's first novel, In the Context of Love, will be released by Buddhapuss Ink LLC in September.

Please welcome Linda K. Sienkiewicz.
 
Author Josh Isard got a good laugh at AWP when he described the conference attendees as “a whole bunch of people collectively experiencing social anxiety.” We writers are introverts who sometimes have to be dragged out of the house to socialize. Selling our own books and ourselves as writers is something we find difficult. So what is an author to do? Finding the answer was my goal at AWP this year, because I'll need to help publicize my debut novel, In the Context of Love, when it's published in September.

Publicize or Perish

I learned several pointers from Michelle Blankenship, who’s an independent publicist. After being an in-house publicist for 16 years she can now focus on a smaller number of books a year. While there are many book PR strategies available, Michelle stressed it’s important to be realistic. There is always a chance you won’t get any media coverage no matter you do, no matter who you hire, what the publicist does. Publishing a book can be a lesson in humility. If you’re self-published, your chances of media coverage are even lower, so rather than hire a publicist, she suggested hiring a marketer. What’s the difference? Publicity can’t be bought. Marketing includes buying ads and other paid promotional endeavors that target your market.

Here’s what Michelle shared:

1.    Plan early. Ten to 12 months before your publication date is ideal, six is the minimum.
2.    Make a list of all your connections, media-wise, who can help get you coverage.
3.    Ask your publisher how many galleys you will have and how many ARCs (advanced reading copies) you will get. An an author, you can also pay for additional galleys or ARCs to send out for reviews.
4.    Think about writing essays or op-ed pieces on the subject matter of your book, your inspiration, or other related topics.
5.    Write a self Q and A. Envision your dream interview. What five questions would you like to be asked?  (This can be used in an online media kit, for book clubs, book blogs, etc.)
6.    What have you written about in your book that you can speak expertly about? Watch and read the news and pay attention to popular culture for opportunities to promote yourself as an expert.
7.    Think about the back story to the writing of your book. Did you come to the topic in some unusual way? What sets you apart from other authors who have books coming out?
8.    Is your book coming out on or near any particular anniversary, holiday, or other event that you can use to your advantage? Consider even obscure events.

All of the above can and should be shared with your publicist. Michelle said you may spend more money on publicity than your book earns, but everything you throw into the water creates ripples, and that may help sell your second book. Schedule as many places as you can go for readings or speaking engagements.

Oh Bookseller, My Bookseller

A panel of booksellers from Minneapolis discussed how to partner with independent bookstores. Book selling is alive and well, but each store may have a different audience, so they stressed doing your homework to be sure your book would attract a particular store's customers. You can find lists of booksellers in any region via the American Booksellers Association, and Book Life on Publishers Weekly.

Booksellers love hosting author events, but they are busy people and dont necessarily appreciate an author walking into their store only to shove a book under their noses, so send an email first. Think of yourself as a marketer. Send information about your book, the story behind it, who you are, who your audience is, and how you plan to market the event. Be sure you include the ISBN. Then follow up with a phone call. Remember to contact bookstores before your book is on shelves; six weeks after publication may be too late. Booksellers want you in the store before too many people have already read the book.

What makes a good bookstore event? Entertainment and energy, and think beyond a typical reading or signing. Be creative. After all, we’re creative creatures, right?.

Beyond the Bookstore

A panel on Small Press Marketing suggested making a list of contests where you can submit your published book. Make videos. Do Goodreads giveaways. One author on the panel referenced a lot of music in her story, so she made a playlist on Spotify. Including a gift or token with the book you send reviewers can help get attention, as long as you don’t go overboard. One author had her book cover printed on a matchbook box, and filled the box with sticky notes. Another sent a candy necklace because there was such a necklace in the story. Book clubs are a great way to get the word out about your book. You local bookseller or library may have a list of nearby clubs. Let the clubs know you will speak for free about your novel or memoir if they choose it for their club read.

Even with the most creative marketing and publicity plan, you will still have to deal with your social anxiety. Sure, you’d much rather work on your writing, rather than dressing up to face an audience. Prepare yourself to talk confidently about your book. Practice your pitch. There’s nothing wrong in saying “I think you’d really like it.”

When you look out at a crowd of people, remind yourself that, to the public, anyone who managed to write a book and get it published is fascinating. They want to know how you did it, how you write, when you write, and what you do when you get writer’s block.

And never discount a publicity or marketing event that isn’t well attended. If three people show up, get out from behind the lectern and sit down with them for a chat. Tell your story. They’ll love it, they’ll buy your book, and hopefully tell their friends what a great person you are, and they’ll buy your book, too.

Note from Lisa: For more from Linda on the topic, read her previous post on "Shameless Self Promotion." You can connect with Linda at her website, on Twitter, and at  Pinterest.