Friday Fridge Clean-Out: Links for Writers -- November 3, 2017 Edition

> Late the other night I found time to read this fabulous piece in the Sunday NY Times Magazine on extraordinary nonfiction writer John McPhee, and how he works. (The online version linked here includes drawings and diagrams of how he envisions, designs, and writes into the carefully crafted structures that hold up his books and articles.) 

> I often teach the list essay, and here, Jillian Schedneck has summed up a lot, in "How to Write a List Essay," and links (among other pieces) to her own list essay on Compose Journal (which I'm pleased to say I had a hand in selecting).

> Speaking of Compose, the Fall 2017 issue -- our tenth -- is now live, with fresh fiction, poetry, creative nonfiction, and features/craft pieces.

> If you're doing NaNoWriMo (or any self-adapted version of it), there are lots of  encouraging posts circulating, from the official  NaNoWriMo Pep Talks from household-name authors (first up is Roxane Gay), and elsewhere, short, helpful tips , writing apps tips, and round-ups of advice.

> Can swapping your cool smartphone for a less-capable model help your writing productivity? Amy Collini says yes, in "I Flipped,"' over at the Brevity blog.

> Fiction Writers Review features an interview with Claire Messud, about her newest novel, The Burning Girl.

> Finally, I've just started down the dark and alluring path of book PR (since the memoir is now listed on several online retailers), and well...one could so easily go overboard. So I found this funny/snarky piece, "How You Can Help Me Sell My Book," at McSweeneys' spot-on (and a little scary). Precious blog readers, if I get annoying in my book excitement, do tell me! 

> Oh, but first, did I mention my newsletter went out the other day, and if you scroll down, it features a promo for those who pre-order the book and send me.....ugh. See what I mean?

Have a great weekend!

Image: Flickr/CreativeCommons-NationalMuseumofAmericanHistory 

Friday Fridge Clean-Out: Links for Writers -- October 16, 2015 Edition

> A recent Backgrounder podcast features Anna Quindlen, novelist, essayist, and Pulitzer Prize winning columnist (and incidentally, a strong influence on me).

> Some quick tips from Women on Writing to get through National Novel Writing Month.

> Writers must read, a lot. Of course. But how can we turn off the reading-as-a-writer stance, and just read for pleasure? At Literary Hub, Jessica Ferri (and a bunch of literary folks) have some suggestions.

> Lisa Rivero offers "8 Takeaways from the 2015 Publishing Institute."  

> In "Omission," a writing craft essay at The New Yorker last month, the inimitable John McPhee on knowing what to cut.

> I recently discovered Colette Sartor's blog, where she frequently shares writing craft advice, like this one on writing about loved ones. There's also a terrific writers resource page with links to many (many!) helpful articles by others.

> Medium is making some changes.

> At the Glimmer Train blog, enjoy (especially if you watch TV), David James Poissant's "How to Balance Writing, Family, Work, and Life: An Unhelpful Guide for the Perplexed." 

>Then, for a wee bit 'o more fun, try the Los Angeles Times' "How to Be a Writer" board game (think Candyland for lit types).

> Libba Bray will crack you up with her "letters" keeping friends updated on the success of her just-published book.

> And finally, considering my Friday Fridge Clean-Out heading and the rotating array of refrigerator photos -- how could I not mention the intriguing new book, Chilled: How Refrigeration Changed the World, and Might Do So Again, by Tom Jackson. I'm going to read it.

Have a great weekend!

Image: Flickr/Creative Commons - Don Graham, inkknife_2000

Every Writer Can Get Something Out of NaNo -- Whether Signed Up or Not

NaNo-ing or not?

Are you one of the 287,052 writers participating in National Novel Writing Month? 

I'm not, lots of writers I know are, but either way, signed up or not, there's a lot about NaNo that can help a writer.

And not only novelists, either. Plenty of NaNo writers are working on memoirs, poetry, children's books, essays collections, general nonfiction, plays. And writers of all kinds can learn something from how NaNo is designed.

The concept travels well across the literary landscape:  You commit to banishing your inner critic, to keep moving forward without dropping back to revise or edit; you commit to keep track of your word counts, to be accountable, and at the end of a month, you have at least 50,000 words (do-able at a daily rate of  about 1667 words).

You get to say I Did It!

That alone is a good thing, because writers so often say the opposite:  I never got around to finishing X.  I planned to write Y but life got in the way. I can't seem to get going (or keep going) with Z.

I completed the NaNo sprint twice in the last five years, but instead of expecting to end the month with a draft of a book manuscript, I used the motivation and group peer pressure, the sweep of public let's-all-get-it-written, and the external productivity and accountability tools to carry me along toward private goals, accumulating pages that would feed several projects.

Whether you're "doing NaNo" or not this year, you can still benefit from the wave of NaNo mania that is certainly showing up in your social media stream. Maybe you don't want to write 50,000 words in a month (there are good reasons NOT to!), or your writing goals and projects are in different stages right now than would benefit from such a blitz.

But you can take the time now, while many writers around you are re-dedicating themselves to meeting daily word counts, to ask yourself if you're meeting your daily word or page or time-in-writing-chair goals. Is your manuscript draft humming along?  Are you visiting it often enough? 

In less than two months, you'll be asking yourself what you got done as a writer this year. Maybe November – NaNo or not – is a great time to begin taking stock, while there's still time to do something about it.

Are the chapters moldering?  Are you watching reruns instead of revising?  Have your submissions slacked off? 

For many smart writers who don't expect to come out of NaNo with anything other than a stack of pages that need an awful lot of work, the real reason we all need a productivity boost once in a while is just that: You emerge with pages that need work, pages that you can work on, revise, edit. And isn't that the goal of every writer, every day, every month anyway? To end up with pages filled with words? Because you know what you can't do with a blank page, right?

Friday Fridge Clean-Out: Links for Writers - November 1, 2013 Edition

> Have I ever mentioned how much I love the How We Spend Our Days series over at Cynthia Newberry Martin's terrific Catching Days blog?  Well I do. In the newest one, novelist Rebecca Makkei explains how she gets the writing done in between the 70 other demands on her time -- and why a time out is a blessing.

> Good Housekeeping magazine is launching SheBooks, an ebook publishing venture, and they're on the lookout for memoir pieces on aspects of mothering, in the 3000 - 7500 word range.

> If you're writing about 1850 words a day during November  -- whether officially participating in NaNoWriMo or like me, doing your own variation on it (writing 50K words in a month on several projects) -- here's a simple word count meter you can slap up on your blog, tumbler or website. 

> Not a new list, but a potentially helpful one: Literary Magazines That Pay.

> So Amazon has published its first...literary journal, titled Day One, available by subscription in digital formats. Here's the spin  official info. Some cursory digging didn't yield an answer to whether it belongs on a list like the one mentioned just above. 

> Preserving writing time vs. building a social media presence. Laura Harrington weighs in on the modern author's struggle.

> Being interviewed (or conducting one), or recording a podcast over Skype? Mystery novelist Elizabeth Craig offers a checklist. 

> You know I love writing prompts. Here are enough to get you through a month.

> Finally: Before my husband and kids surprised me with a Nook HD+ (which I love!), I resisted an e-reader for reasons I no longer remember. Now, I keep trying to explain why I don't want, won't get, and enjoy not having, an iPhone. And while I do have a semi-smart phone (I can check email but that's about it), I still mostly agree with Mary McGrath's reasons for resisting. (But check back after Santa has his way with me.)

Have a great weekend!

Guest Blogger Liz Sheffield on Banishing the Inner Editor with NaNoWriMo

Liz Sheffield has been a writing student and editing client of mine over the last few years. She is a blogger and freelance writer focused on the topics of parenting, wellness and leadership.  Her essays, articles and short fiction have been published in national and regional publications, including Brain, Child and Family Fun. Until recently, Liz spent more than 11 years writing, editing and designing training materials for Starbucks. She lives in the Pacific Northwest with her husband and two young sons.

Please welcome Liz Sheffield

This year, when I asked the young writers in the early weeks of my National Novel Writing Month (NaNoWriMo) workshop to tell me what their inner editors say, the kids (ages 8 to 11) didn’t hesitate to respond:

“You suck.”

“That’s no good.”

“You can’t spell.”

Ouch! Our inner editors develop at such a young age.

These fifteen students are part of the afterschool NaNoWriMo workshop I’m teaching at my son’s elementary school. A few years ago, the Office of Letters and Light (OLL) – the group that oversees NaNoWriMo for adults – created the Young Writers Program as well as a NaNoWriMo curriculum for kids and youth. It’s the same concept (write a novel in a month) but with a word count goal that is reasonable for each young writer.

September and October are all about training. In our weekly lessons, we discuss topics such as the inner editor, main characters, plot and setting . The goal is that by November 1, these students will be able to write their novels in 30 days. In order to succeed, I know from personal experience, the first step is to get their inner editors out of the way.

“Next, we’re going to draw these inner editors,” I continue after hearing the feedback from my students’ inner editors.

Villains wielding swords, with scowling faces, missing teeth and furrowed brows evolved on the blank pages of the kids’ workbooks.

“Now it’s time for these inner editors to take a hike,” I told my students.

I walked around the room with a shoe box covered in bronze-colored paper. After the last editor was in the box, I closed the lid and wrapped metallic string around and around the box to lock it.

“Is that barbed wire?” a sixth grader asked, incredulous.

“Yes. Star-studded barbed wire.”

The box rattled in my hands. I could hardly contain the energy inside the bronze-covered shoe box.

“These editors are desperate to get out,” I warned, “but if we want to write a novel in thirty days, we can’t let them out until December 1.”

Some of the younger students looked worried. (Okay, so maybe the shaking box was a little bit much.)

“Are we going to let these inner editors out of the box?” I asked.

“No way!” the kids hollered, a few boys adding an air-punch for emphasis.

If keeping their inner editors in the box is the one thing my students learn through this NaNoWriMo experience, I’ll be thrilled.  

And, they’ll be decades ahead of me.

I have a powerful, demanding and often hope-dashing inner editor who has played a leading role in my writing life: You’re going to use that word? Who will want to read this? You can’t write. You don’t have an MFA. You’re not old enough. Wait, you’re too old, it’s too late. You don’t have time.

I’ve heard this voice for years, but it wasn’t until I took the NaNoWriMo challenge myself in November 2010 that I understood the power my inner editor had over my creative process.

My sons were age two and six, I was working full-time in a corporate cube and commuting an hour each way. Since college, I’d been too busy (drinking beer, teaching ESL in Japan, romancing with my future husband) to write. Skeptics, including my inner editor, told me I had no business taking on the challenge of writing a novel, much less attempting to write one in thirty days.

I signed up anyway. And I wrote 50,064 words in 30 days.

“How did you do it?” everyone asked after I came out of the NaNoWriMo fog.

The answer was simple: I told my inner editor to take a hike.

During NaNoWriMo, I gave myself permission to write a less-than-perfect novel. I ignored the thoughts that I had to come up with the “perfect” first sentence, find the “perfect” time to write, or labor late into the night, attempting to format a document so that it was “just right”.

With thirty days of practice, I gained confidence. My inner editor got quiet.

"Don’t look at this early stage for every sentence to be perfect—that will come. Don’t expect every description to be spot-on. That will come too. This is an opportunity to experiment. It’s your giant blotter. An empty slate, ready to be filled."

These encouraging words in Jasper Fforde’s pep talk to participants in the 2010 NaNoWriMo rang true. Having sent my inner editor on a hike, day by day, word by word, I was able to fill the empty slate.

My creative self took over. I added a hospital to the setting. My protagonist befriended a homeless teen. The plot twisted and turned in ways that my inner editor would have avoided (and admonished) but which I welcomed. I finished on November 30 with a novel that wasn’t perfect, but that had a beginning, a middle and an end. A year after I finished NaNoWriMo, I read what I’d written. While there are revisions to be made, I can say that I like what I wrote. (Take that, inner editor!)

As my students prepare for their NaNoWriMo adventures, I hope that locking their inner editors away in that shoe box will bring them the same sense of freedom; that they will embrace the time for creativity.

Most creative folks will agree that keeping the inner editor at bay is difficult. In fact, since I banished mine two years ago during NaNoWriMo, I’ve noticed my inner editor creeping back into my writing world.

But I’ve had enough. I make my way to the garage in search of the box covered in star-studded barbed wire. There’s got to be enough room for one more inner editor in the shoe box in the garage: mine.

Note from Lisa: NaNoWriMo begins on November 1. You needn't write a novel during the 30 days; it's also a great way to generate around 50,000 words towards any manuscript or writing project, keep track of your progress, and commit to a regular writing practice. For the math-challenged, 50K words in a month works out to about 1,670 words per day.

Friday Fridge Clean-Out: Links Writers May Like. October 22nd Edition

Typically, every Friday I post interesting web links (both obscure and popular) I've found throughout the week – hence the name, Friday Fridge Clean-Out (much the way I feed my family on Friday nights). Lately, I've only been sporadically blogging, so the fridge is now overflowing. Some of them may have already found their way to your screen, though a handful are more current. Either way, enjoy.

►In the LA Times, Mary McNamara offered this Working Mother's Guide to Writing a Novel. Bottom line: difficult but do-able, and a daily decision.

►Manhattan's popular The Strand ("18 miles of new, used, rare & out-of-print books") used to stack small inexpensive books near the register for impulse buys, but lately have found what grocery and convenience stores have known for years. Readers have a sweet tooth.

►Anyone who has done it before and is heading into National Novel Writing Month again this November probably has a list of tips for newbies. This one, serious ("Learn how NOT to edit") and silly ("Lock up all fire arms"), covers a lot of the bases.

►Free public wifi isn't a bargain if it plants a bug on your computer, as NPR explains.

►Is there a writing workshop in your future? Can't hurt to review these tips at MFA In A Box. I especially like: "Don’t ever confuse a writing group with a therapy group." Ah, but doesn't that kill half the fun?

►No matter what they write, I am almost always interested in how and why successful writers created the work they did, sometimes especially when it's outside of my genre and/or skill set, which is why I enjoyed this piece about how Darlene Hunt created and writes scripts for The Big C, a new Showtime TV series.

►My friend Sari Botton, a standout ghostwriter (a Q/A with her ran here last year), recently interviewed Vivian Gornick about the difficulty, in memoir, in writing the truth and also taking care of loved ones on the page. Gornick's first memoir was Fierce Attachments and her craft book, The Situation and the Story: The Art of Personal Narrative, is probably on every nonfiction writer's shelf (or should be).

►I had a major crush on Andrew McCarthy from the Brat Pack films (St. Elmo's Fire, etc. – yeah, I'm dating myself) through to his turn in Lipstick Jungle last year. Now he's back on my radar, winning the 2010 Travel Journalist of the Year award in the Lowell Thomas Travel Journalism Competition. He's the real deal too, as this brief Washington Post interview notes, with bylines in Travel and Leisure, Afar, Bon Appétit and National Geographic Traveler.

►I have always believed that the creative process is somehow altered (in my opinion, for the better), when we handwrite rather than type our first drafts. Lately, researchers are finding that handwriting delivers all kinds of other benefits too.

►And finally: we writers ARE a strange lot, no? We want to write, crave time to write, complain about not having enough time to write, and yet sometimes….we just don't write. One Page Per Day seems like a workmanlike way to trick yourself into it.

Have a great weekend.

Friday Fridge Clean-Out: Linkety-Link for Writers

►Go to grad school, get stuck on bed rest, wind up on a bad weather vacation with people you don't like, or get a job as a book reviewer, and you too will learn to read a book a day, maybe even for a week straight. But a book a day for a year? That's what this blogger is doing, and she's nearing the end.

►Poets & Writers now has an MFA database, with a list of all U.S. program, as well as the top 50 (traditional) programs, and other MFA-related resources.

►Noah Lukeman, literary agent and author of The First Five Pages, has an interesting take on whether it makes sense to accept an offer from a small press to publish one's first book (via Backspace).

►Per writing nonfiction in which loved ones appear, I was glad to be reminded recently of this insight from Scott Rosenberg's book Say Everything: "Writers who tell stories about themselves, their families, and friends always walk a tightrope: you fall off one side if you stop telling the truth; you fall off the other if you hurt people you care about, or use them as fodder for your career. Dishonesty to the left, selfishness to the right." (via The Daily Rumpus)

►No, I won't be writing a novel, but I've signed on again for November's National Novel Writing Month. Last year, my goal was to write an average of 1800 new words each day, and by the end of the month, I did have 53,000 words of new memoir material. This year I have a slightly different project in mind, but the idea is the same – accountability and a shove. If you are having trouble sticking to a writing routine, need an outside deadline/accountability partner (or, say 15,000 of them – that's how many completed the program last year), or if you simply want to boost productivity, it may be worth considering.

►We writers are such strange creatures, no? For example, yesterday my day was made (really, I was dancing in my office) when I received what is probably the best personalized REJECTION email of my career, from an editor I admire, at a publication I love, for a column I'm dying to crack, only the day after I sent in an essay submission. Like I said, strange.

►How do you define a prose poem -- and know when it is a prose poem you are writing and not an essay? Know any good resources on the topic of prose poetry? Weigh in on this and other genre-splitting questions (and read the excellent comments/advice) over the Practicing Writing blog.

►Beginning poets might want to consider signing up for Sage Cohen's free monthly e-newsletter.

►The work of two of my writing buddies is featured over at the More magazine website –Dionne Ford's piece is about swimming with her Grandmother, in A Five Generation Vacation, and Sari Botton's essay covers Finding Forgiveness on Facebook.

►Blog reminder – tomorrow (Sat., 10/17) is the last day to leave a comment and become eligible to win a one-year (four-issue) subscription to Prairie Schooner, a wonderful literary journal.

►This terrific New Yorker piece, a parody/rant about the way publishers now expect their authors to do practically all of their own book promotion, would be truly hilarious if it were true. Oh, wait, what's that you say?

►From the Department of Shameless Self-Promotion: This blog was listed among the Top 100 Writing Blogs by the Daily Reviewer; the list is worth a look for the many other great blogs included.

And, finally, if you're not already reading literary agent Nathan Bransford's blog (and in that case, we really must talk), or The Rejectionist, then you missed this great post about the publishing industry. Whoa.

Have a great weekend.

Winning & Writing

Now that it's all over, I can fess up.

I signed up, back in late October, for National Novel Writing Month - in which thousands of writers try to write an entire 50,000 word novel during the month of November - not because I wanted to write a novel, but in order to get some better traction on the memoir. I wanted mostly to increase my output, and decided that a commitment to write at least 1,800 new words a day was not a bad way to do it.

So I did it. I wrote 53, 576 new words in November. Some are, thankfully, memoir-bound. Others are the drafts of new essays. There is one short story in there (go figure), two poems, and pages and pages of what I think has been missing from other stalled works-in-progress.

I asked one of my writing buddies to make sure I reported in each night with the day's word count. She did. I skipped one day because I was sick, but wrote double the next. Six times, I thought about quitting. I didn't.

When I'm writing nonfiction at this pace, I notice that I tend to read only fiction, and so I was burning through short story collections like M&Ms. Which may explain why I wrote a (probably very bad) short story on the last day - today. My first. Or only?

I started out with a linear narrative in mind, but as usual, I wandered, from the end of one chapter to the beginning of the next, far from the mapped-out route. My nonfiction doesn't much like to stay inside the lines. About half-way through, I decided it didn't matter and I'd just keep writing. So I did.

I'm a little sad that it's over, if only because the power of a group and the pressure of a commitment are powerful productivity partners. So, I got my "winner's badge" (everyone who logs in 50K or more words in the month gets one) and to celebrate I'm taking some time off from writing.

That would be the rest of today.