Showing posts with label awards. Show all posts
Showing posts with label awards. Show all posts

Friday, September 22, 2017

Friday Fridge Clean-Out: Links for Writers -- September 22, 2017 Edition

> It's book award season, and over at the PBS NewsHour site, we can watch and listen in as "National Book Award Nominees Share their Advice on Books, Fear, and Love."

> Meant to post this a few weeks back: one of my favorite authors, Roger Rosenblatt, with an insightful essay in the New York Times on "The Invisible Forces that Make Writing Work." 

> Speaking of favorite writers, here are two more of my crushes -- Elizabeth Alexander and Atul Gawande in conversation on the New York Public Library podcast (#182).

> Carolyn Howard-Johnson has advice on "Making the Most of Writers' Conferences" at the BookBaby Blog.

> Who knew there is a Book Signing and Event Directory, to track book tours of authors you want to see? I haven't had a chance to explore the site yet, but just the idea is intriguing.

> Finally, what's not to like about reading a book or two while at sea? How about thousands of books on the world's largest floating bookstore? (h/t @KateWhouley)

Have a great weekend!


Friday, September 15, 2017

Friday Fridge Clean-Out: Links for Writers -- September 15, 2017 Edition

> This-just-in department: "House Votes to Save Library Funding, NEA and NEH" according to Publishers Weekly.

> As they mark their 10th anniversary, Fiction Writers Review is featuring interviews from the archives, including this one with Jesmyn Ward about "Getting the Sough Right" on the page.

> Speaking of Ward, her novel, Sing, Unburied, Sing, is on the 2017 National Book Award longlist.

> Bookish offers its Fall 2017 Nonfiction Book Preview. And now I need an eighth day in every week.


> Shelf Awareness reports how some Florida bookstores are getting back to business after Irma, and what one publisher is doing to help.


> Thomas E. Ricks tells the story of how his latest book was vastly improved during a long, thorough revision/rewriting process, after his editor trashed his initial manuscript.


> The WOW! Women on Writing newsletter features (and connects to) myriad topics of interest, including craft and technique, submission, publishing, and marketing issues facing writers. I'm pleased to be featured in the current issue in "Success Stories From You," amid so much other helpful information.

> Here's what's new in the just-published 17th edition of the Chicago Manual of Style. (Or, as it's known in my house - Mom's Paperweight.)

> Wondering if the newish American Writers Museum in Chicago is worth a visit? Wonder no more.


> Finally -- We've all seen the article or blog post about how publishing a book is like birthing a baby or having kids (I even featured a guest post like that.) But the way Austin Gilkeson does it at The Rumpus in "Congratulations on Publishing Your First Baby" is an entirely new and fun take on the trope. Enjoy!


Have a great weekend!


Image: Flickr/CreativeCommons 

Tuesday, September 20, 2016

Happy Best American Essay Brithday


When my birthday arrives in about 10 days, my card may say, "Your gift was delivered on  September 13."

Here's why (and I beg of you, imagine this in deep narrator voice-over like at the Oscars): This is Lisa's second nomination, and first…

Let me not bury the lede any further: I received word that an essay of mine, published in 2015, was selected for the Notable Essays list included in Best American Essays 2016. How simple and calm that sentence sounds. So unlike how I sounded when I got the news.

No, that was more like this (imagine this in hysterical barn owl voice at 140 decibels): What?! NO WAY. Wow. Whoa. OMG! Wait, REALLY?

BAE doesn't notify those on the Notables list. I learned it from a Facebook writer friend who'd scoured the Notables pages (using Look Inside) as soon as Amazon put BAE '16 up for pre-order.

As you probably know, BAE is an annual anthology that republishes about two dozen essays that exemplify fine writing craft. Tucked in the back is the Notables list, a few hundred pieces culled from thousands of nominations. When I think about all the essays published in all the print journals and all the online literary journals, and all the mainstream magazines and websites, across a full 12 months, the odds of being selected are small. The honor is huge.

Often, a media venue will let a writer know that it is nominating one's work, as happened several years ago when Under the Sun nominated an essay of mine from 2013 (no booming narrator voice that time around).

But this time, I was not aware that the good folks at Blue Lyra Review, notably nonfiction editor Adrienne Ross Scanlan, had thought highly enough of my essay, "Not Quite Meet Cute" (which appeared in their Spring 2015 issue), to place it in nomination. So the news last week was extra surprising, extra sweet. My heartfelt gratitude goes out to Adrienne and BLR.

If you like this sort of stuff, the backstory on that essay includes the usual forces and vicissitudes that accompany this wacky thing called essay writing.

It's such a personal piece that after the crappy first draft in 2007, I put it away, worried my husband wouldn't like the world knowing how he behaved when we first met, or how I'd behaved before we met. Then there was the inevitable cycle: revise, rewrite, put-it-away-this-is-crap, forget-about-it-for-another-year, revise, this-is-less-crappy-but-it's-still-crap, revise, rinse, repeat.

Finally, it entered the gee-this-maybe-is-not-so-bad stage, followed by revise, submit, rejection, submit, submit, submit. Once it found a nice home at BLR, the only next step I considered was that I might include it in a future essay collection of my own (yes, I'm delusional that way), but essentially, I figured that was the end of that story.

The BAE listing comes with not a dime of monetary compensation, and of course, the Notable pieces themselves are not printed in the book. That booming narrator voice isn't concluding with….and her first win. A Notable is more than a nomination, less than a win, but it's something rather nice, and I'm excited. It means the judging committee and editors think it has merit.


And I’m thinking that, in the everyday trenches of revise, rewrite, put-it-away-this-is-crap, forget-about-it-for-another-year, revise, this-is-less-crappy-but-it's-still-crap, revise, rinse, repeat, gee-this-maybe-is-not-bad, submit, rejection, submit, submit, submit – that's going to help.

Though I guess this means my husband figures he's off the hook for a birthday gift.




Thursday, January 7, 2016

Department of Shameless Self-Promotion: Good News!

So, this happened: A Pushcart Prize nomination. 


It happened in early December, and I shouted (loud, apparently, almost directly into my son's ear!) when I got the email from the lovely editors at Front Porch Journal, who nominated my essay, "Your Boyfriend's Back" from their Winter 2015 issue.

But I haven't shouted about it here on the blog yet. 

Truth is, a lot of writers get nominated each year. Literary journals can select up to six pieces each year, and many writers have been nominated in multiple years. Some writers have won several Pushcarts.

(A jaded writer told me that when you get past your "first" Pushcart nomination, you're over it and don't get excited anymore. I don't like jaded writers.)

This is my first time, so why not be a little bit excited?

I am EXCITED, HONORED, PROUD, SURPRISED, HAPPY. All that uppercase stuff. 

Why not?

We write, alone and quietly. We revise, mostly alone, mostly quietly (expletives aside).

We agonize, ponder, submit, usually alone and quietly. 

We are rejected, alone, in silence (expletives aside).

Maybe we give out a little yelp when we get an acceptance. We try to make some noise when our work is published.

So, if getting nominated for an award that recognizes excellence in creative published work, isn't a reason to shout, what is?

I noticed at least a half dozen writers I know announcing their own Pushcart Prize nominations over the last few weeks--and why not! Congratulations to all of us! 

To celebrate, I bought the book that emerged from the previous year's round of Pushcart nominations. Maybe I could have done something flashier to celebrate, like buy that new computer I need, but the book was enough; I think I did it partly to honor those who were selected for the Prizes most recently, and partly as a silly, private little goodwill offering to the writing prize gods. (Then I started to read it, and wanted to hide under a sheet: such stunning work!)

Most of those nominated of course, don't win. That's how any nomination process works. That's okay. Now I finally believe those Oscar folks who say, almost convincingly, "It's an honor just to be nominated." 

Only I'd delete the "just".



Friday, November 16, 2012

Friday Fridge Clean-Out: Links for Writers, November 16, 2012 Edition


> The National Book Awards have been decided. All the winners and nominees, with links to excerpts from each, are at GalleyCat.

> The upside of being stuck in traffic: catching an NPR interview with Barbara Kingsolver talking about her newest novel, Flight Behavior - which by the way, has the glorious opening line: "A certain feeling comes from throwing your good life away and it is one part rapture."

> Now that the Silver Linings Playbook is in movie theaters, I'm reminded that Matthew Quick, author of the original novel, wrote a guest post for this blog back in 2008, about meeting readers during the early leg of his debut book tour.

> In a Bookslut interview, Dinty W. Moore, author of The Rose Metal Press Field Guide to Writing Flash Nonfiction: Advice and Essential Exercises from Respected Writers, Editors, and Teacher, has this to say: "...I'm almost always scrapping my beginning and ending somewhere in revision, because it is somewhere in revision that I begin to realize what it is I am trying to say in an essay, and thus for me to nail it, to get it as nearly-perfect as can be, I have to start somewhere new, and often end somewhere other than where I thought I was going."


> I was introduced to the Reddit feature AMA (Ask Me Anything) months ago by my teenage son. The idea is, an expert of some sort, or at least someone others want to ask questions of, agrees to answer any inquiries readers toss at them for a specified period. Last week, there was an AMA with Jane Friedman, former publisher of Writers Digest and current web editor of the Virginia Quarterly Review.


> If you are one of my New Jersey contacts, you know I can't stop talking about my upcoming teaching assignments at The Writers Circle. Yesterday I wrote about TWC's director, novelist Judith Lindbergh, and her turn as expert commentator on the History Channel documentary series Mankind. Such fun to know such interesting people.

Have a great weekend! 

Tuesday, August 9, 2011

Not exactly qualified for that writing award? Apply anyway.

This is a story about freelancing, a wild chance, nostalgia, looking back in order to go forward, friends with blogs, and a little luck.

A few months ago, I was fortunate to be awarded a scholarship (in the category of Nonfiction Article Writing) by the Education Foundation of the American Society of Journalists and Authors (ASJA), to attend ASJA's annual three-day conference in Manhattan.

I knew I would gather plenty of terrific advice, tips and knowledge from the panels and seminars, and I looked forward to spending a few days around fellow freelancers, exchanging inside info and trading (a few) horror stories. But the real reason I wanted to go to the ASJA conference was that I hadn't been to one in about 20 years. Before that, attending the ASJA event had been an annual outing for me, beginning with my first, the year after graduating from college with a journalism degree.

At the time, I was struggling to support myself as a freelance writer, and saw the conference fee as a necessary investment. I was right – from that first conference, I made important contacts with editors who sent work my way for many years. After that first attendance, I made the ASJA meeting a fixture on my calendar, even after I began working in public relations a few years later (another story!).

The conference slid off my annual agenda at some point. Until this past winter, when I got the idea in my head that, living just across the river, and wanting to expand the freelance journalism arm of my career, I really had no excuse not to attend again. Except of course, the fee. I visited the ASJA site a half-dozen times, filled out the registration form, and then let it languish. That money, I kept telling myself, would be better spent on my son's tuition. Or the other son's cello lessons. Or groceries.

One late winter morning this year, I was doing one of the online things I do every day – reading my friend Erika Dreifus's great blog, Practicing Writing. That day, she reminded readers that the deadline for the ASJA Education Foundation scholarships was that very afternoon. I thought for a moment about applying, but immediately dismissed the notion; I figured the selectors were probably looking for someone either (take your pick): younger, with less (or more) publishing credits, in worse financial circumstances, with less (or more) experience.

Then I remembered something I'd read a while back on another great blog, where novelist Tayari Jones wrote a post meant to encourage young writers to think big and be a bit reckless in seeking out opportunities. Tayari passed along advice she was once given (and I'm paraphrasing here): Every day in the writing world, someone is awarded something for which he or she may not seem especially qualified. The trick is to keep applying for things, because one day, why can't it be you?

The ASJA application, including links to published articles, a CV, and cover letter explaining why the scholarship was being sought, was due in a few hours.

Why can't it be me? I hit send.

Here's what was so interesting to me, sitting in on ASJA discussions again, some 30 years after having attended my first conference: How much has not changed, and how much has. On the one hand, everyone was discussing the very same things that we worried about in 1982 – the best way to query editors, how to attract an agent's attention, negotiating rights and fees, interviewing difficult people, keeping clips organized and presentable. But that was fine, because in the intervening years, everything else had changed, and so doing all of those basic things that propel a freelance career, now requires an entirely different set of skills, tools, technology.

Back in 1982, I recall wide-eyed, eye-rolling, grudging reactions in some sessions to certain ideas of changing up the way one does business. In 1982, a panelist suggested that five years hence, everyone in the room would own at least one computer on which we'd all be writing our articles. Having seen computers being installed in the journalism classrooms at Syracuse University just before I graduated the year before, I believed it, but I noticed quite a few crossed arms and shakes of the head around the room.

It was a similar scene several years later, when in those same ASJA sessions I heard another speaker declare that in just a few years, we would no longer be printing out word-processed articles and stuffing them into envelopes to send off to editors. At another ASJA I attended, probably around 1990 or so, I remember someone said the words electronic communication and web page. Some people seemed excited, but others clearly were not happy to contemplate the coming changes.

Fast forward to this past April, when there was a lot of talk about online activities -- creating a great website and blog, building a Twitter following, knowing how (and how not) to use Facebook and other social media, writing for online venues, SEO skills, developing e-newsletter lists, building an online portfolio of clips. Mostly, audience members welcomed information on these topics. But then in some sessions, where the conversation veered to video blogging, podcasts, writing for phone apps, formatting ebooks, and other issues, I could sense some reluctance (could some of that have been coming from moi?), and suddenly it felt just like old times: Can all this newness really be coming our way, be here already? Yes, and how wonderful. Yes, and oh no!

One way the conference also felt familiar, for me at least, was in the way these gatherings are good for one's career, and the soul of the work-at-home freelancer. I got to talk, in the flesh, with other writers – some with more experience than I, whose tips I appreciated, some with less experience, whose questions I was happy to answer. I met editors face-to-face and gathered useful intel on what might get an assignment nod. I was able to listen to others ask the questions I was either too hesitant to ask, or would never have thought of – and heard the answers in real time. I shared a meal, a drink, a coffee, with people I might not have sought out – a design blogger, a pet columnist, an education writer -- but whose company, and insights, I enjoyed.

And, I got to write this blog post – which I hope will encourage other writers to go ahead and ask for that scholarship, apply for that residency, enter that contest, go after that job. Why can't it be your turn next?

Friday, September 25, 2009

Friday Fridge Clean-Out: Links for writers, readers, geniuses, and people like that

►Advice, tips, and seminar round-ups from the Writer's Digest's conference, The Business of Getting Published, held last weekend in New York City, are gathered here.

►Contemplating a city without free public libraries is terrible enough. And somehow, that city being Philadelphia, historic home to many publishing initiatives, it was even worse to consider. Massive budget shortfalls in the Pennsylvania state budget meant this was slated to occur on October 2, but fortunately letters, pressure, and special legislation eventually prevailed.

►In case you're not caught up with the week's news, the MacArthur Foundation announced its 2009 list of Genius Grant recipients – individuals from various disciplines each receive half a million bucks, no strings attached, just to continue being creative in their respective fields. Literary names include Edwidge Danticat, Deborah Eisenberg, and Heather McHugh.

►I'm happy to know that The New Yorker is going to be exempt from the mandate apparently issued this week to all other Conde Nast magazines to cut expenses by 25 %. I'm a fan of TNY, and want to see it thrive. And I understand that most literary endeavors need funding not tied to profits to survive. Still, I keep hoping someone – and the folks at CN seem massively qualified – will one day work out a way to both support literature in a mass-market publication and be fiscally successful, too. Meanwhile, Go Remnick!

►Speaking of magazines, Web Designers Depot compiled some of the most controversial magazine covers of all time. Agree with the choices? [update: broken link here has been fixed.]

►Attention MFA students, alumni and faculty: What do you think MFA students should expect (demand?) from a program? Erika Dreifus is collecting opinions about this over at her Practicing Writing blog.

Shelf Awareness bills itself as "daily enlightenment for the book trade." I'd say it's an interesting destination for anyone interested in books, period. My favorite feature is the daily run down on which authors are slated for TV appearances that day.

►At The Rumpus, in a review of Jill McCorkle's new short story collection, Going Away Shoes, Skip Horack notes: "Writers who are able to make us laugh out loud are often viewed with unjust suspicion, as some readers seem to fear that humor is somehow “unliterary,” that what makes us laugh cannot also be profound. That’s nonsense, of course, and the dark humor contained in these stories testifies to what Shakespeare knew well: that humor has the power to expose as much about our struggles and our pains as it does about our triumphs and our joys."

►I'm a sucker for anything British. Don't know why and no longer care. I just go with it. So I'm enjoying a new blog find for all the reasons any procrastinating activity ought to make one both giddy and guilty. It's written by a British author of young adult novels, and she's long winded, funny, honest, a bit crude, no-nonsense but also whimsical, and loaded with Britishisms some of which I still can't puzzle out. She calls herself "crabbit". Just read her and you'll get that one. Start with the recent post, Why Do I Write At All?"

Have a great weekend. Laugh.

Friday, October 24, 2008

Friday Fridge Clean-Out

Tidbits for a Friday. Because sometimes the brain just can't put together more than that.

►Seems everyone I know who has been through an MFA program can name one person in their class about whom every other student wondered, "Why is he/she a student and not on the faculty?" That's what I thought each time I listened to
Patricia Smith read – no I should say, perform -- one of her poems. And now I can say I have a friend from grad school whose poetry book, Blood Dazzler, has been nominated for the National Book Award. Go, girl.

►The blog title says it all:
The Three P's of Post-MFA 08: PhDs, Publications and Panhandling. Go, you'll like it.


►While contemplating whether the sky will cave in, I found this well-put, practical advice to being a writer during the big, bad economic crisis our country – and likely everyone's wallet – is facing. On her blog, Tamara Kaye Sellman, has a lot to offer on the subject. Like this:

"There's absolutely nothing wrong with putting your economic needs ahead of your writing life if the writing life doesn't reconcile your bank statement at the end of the day. Of course, the challenge in writing while having a full-time job and possibly a family to raise, is always going to be about finding the time to write. But let me give you some advice from a 13-year veteran of that battlefield: the busier you are, the more likely you'll become a better time manager and overcome issues such as writer's block."